Posts

The Beginning

Down the Rabbit Hole

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I've been taking organ lessons for the last six months, and just loving it like crazy.  The organ is an amazing instrument, I've loved the sound from childhood and I'm incredibly lucky to get to learn to play it.  The most common roadblock is, of course, access to an organ. They are large and immovable. You pretty much have to go to them to practice, scheduling around your own life and the life of the organ, which is probably in a church and has other people practicing and rehearsing or using the sanctuary for something else and the organ is too loud sorry. I've been practicing around 6-7am which is wonderful way to start my day - quiet and meditative with stained glass and the scent of candles and old incense.  That was summer. Now it is fall and winter is coming.  It is dark in the early morning, and the nave isn't heated to habitable levels unless something is going on.    I'm getting motivated to have a practice organ at home. Ok, people do install act

Improving the Manuals

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 I've been practicing and playing on my work in progress for several months now. That is long enough to start revealing design flaws.  Specifically, my choice to hang the magnets underneath the key-sticks with magnetic tape.  Every so often, one wiggles loose and I get a cipher and/or a dead note. I thought fixing these would be simple but as it happens, they are very hard to get to, even on the Great where the bottom is exposed - there is a big iron beam right in the way.    The Swell isn't so bad - I can swing it up and get in and correct them, but to get at the Great I have to remove both manuals completely.  After a few of these, I I started thinking about my options. The choice to do it that way was driven by the existence of a part of the electric keying mechanism which I left in place because it was necessary to the proper touch of the keys. Each key-stick has a return spring, but also pushes a lever to make the electric contacts. That lever  has its own spring. The comb

Pistons of Studliness

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My organ console, as I received it, had 13 thumb pistons. It had been wired for 2 toe studs, but they were removed before it was sold to me.    Back in early March,  scored a set of 17 toe studs on ebay.    The pistons had the same issue as all the other wiring,  it really wanted to run at 12 volts, not 5. The toe studs are OSI standard buttons with copper contacts and worked just fine at 5 volts, so all that was going to be necessary was to install them and hook them to an arduino.   I decided to do the toes first, and think about the thumbs while I worked on it.  Here are my gently used toe studs as they arrived.  Half are on those oak rails, and half packed into that plastic bottle.  They are machined from solid metal, so nothing can really happen to them in the mail, but nice not to be rattling around loose. Inside the medicine bottle I found the screws and label plates for the loose studs.  I was hoping i'd be able to use the rails - they have a nice rake to them, and it would

New Expressions

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It has been an interesting month, mostly confined to my home due to the coronavirus pandemic. I'm lucky in that my job still exists, and I can do it from home, so I've been working full time.  That does take away time from organ building and playing, but not as much as when I was commuting. Also, there is lunchtime organ practice, which vastly improves my mood for afternoon meetings. I have been reluctant to mess with my organ, and take a risk of leaving it nonfunctional since the pipe organ I play is currently inaccessible. I've been testing and experimenting on the workbench. I'm having some challenges with the darlingtons for the SAM units, and the LED strip for the pedal lights. I'm probably doing something stupid and when I look at them again, it will mysteriously work. That is what happened with my slide pot. My Klann console has 3 shoes - two for controlling shades and one crescendo, which had a sforzando button which engaged and disengaged it.  I had a r

Timing is everything

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The first thing my organ teacher told me was the importance of timing. As usual, he was spot on. Week before last, I finished making the replacement piece for the bottom of the music rack. This isn't exacly a high-tech thing. I bought a piece of oak from Home Depot nearly exactly the size and shape I needed.  Cut to length and curved the outside corners, sanded stained and finished. I added a bit of moulding trip I found in the basement - the previous owner of our house did a lot of woodwork and drilled holes for the screws. tadah!  With 2 working manuals and pedals, and now a music rack at the right position, I have a functional practice organ!   There is a lot of work to do still - I have to finish the stop actions and the pistons, and add the LED strips for the pedal and music lights, install brackets and stuff to permanently mount the power supply and mac mini, and the wiring, in place.   That is all gravy, I can play it now and practice. Which is amazing timing beca

Unit Testing is my friend

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I've soldered all those wires and female headers onto my SAM units.   For once in my life, I'm going to do things the right way around and test all of them before installing them into the organ. I breadboarded a simple testing widget with male connectors matching the females on the SAM unites. The power and ground wires coming from off screen above are attached to the ASTRON SS-18 I got to power all these magnets. At the bottom is a UBEC 12v-5v converter for the LED. The circuit for the reed switch is entirely separate from the wiring for the magnets, so it can connect directly to the arduino running at a lower voltage than the magnets. I'm converting here to use just one power source, and avoid having to connect and program a microcontroller for a very simple test.  As you see, there are two little push buttons.  Push the left one and the stop flips on (down) and the green LED lights. Push the right one and it flips off (up) and the light goes out. Repeat a couple of t

SAM I AM

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 Here they are, my gently-used Stop Action Magnet units. They were removed from a project by the previous owner and stored likely in a garage, they needed a bit of cleaning.  Now they are all ready to prepare for installation in my organ console. These are for flip tab stops. A little plastic bit with the name of the stop engraved on it gets screwed onto the little metal tab.  Pushing the tab down activates the stop and flipping it back up closes it. There is a reed switch, visible on the front side, that lets the computer figure out the current position of the stop.  It can be polled like the keyboards to discover if the organist has flipped it.   The tab can also be flipped by the computer - by activating one of thise electromagnet coils. If you push a piston button, it activates a bunch of stops in Hauptwerk. Hauptwerk can then send MIDI commands out to the console to instruct it to flip the tabs to match the current state of the virtual organ. With virtual organ softwa

A Swell Day

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Everything proceeded according to plan in the last week.  I built the second sensor array, incorporating everything I'd learned making the first one, and installed it into the Great manual. I took the first one out and corrected the misaligned sensors (I only had to remove and replace 4 total. I was able to scootch the boards of 8 sensors back and forth to get most of the others lined up correctly.  Then I installed that array into the Swell and plopped it into the organ for testing.  A couple of rounds of correcting wires and nudging magnets and it is good to play! You can on the right side of the left photo, the Mac Mini I acquired to dedicate to this project. It is a new model quad core i3 with 16GB memory and 128GB SSD.  I know I'm going to need a ton more disk space but I'm figuring on adding an external drive.  I borrowed a monitor I use for my work laptop to get going - I'm still pondering what I will want to do for screens on a permanent basis but this